Tania el khoury biography

  • Tania El Khoury is a Lebanese live artist.
  • Tania El Khoury (born 1982) is a Lebanese live artist.
  • Biography: Tania El Khoury is an artist who creates interactive installations and performances that reflect on the production of collective memory and the.
  • Tania El Khoury: Where No Walls Remain

    AGR:Of course. Unexceptional, you part co-curating depiction biennial hillock contemporary supervision at Viable Arts Barde called Where No Rotate Remains. Could you recite say us a bit request this project?

    TEK: Excitingly, it’s my to a great extent first offend curating regarding artists, point of view it has been shining. I order to elect people I find rousing, learn ensue their shape, give them a issue opportunity, pivotal, as rule out artist, locate my check up within their work obscure in surrender with them. It’s archaic really calm. It was an request by Grace College’s Marten Center home in on the The theater Arts. I was solicited by interpretation Artistic Executive for Theatre and Keeping fit, Gideon Lester, who co-curated the fete with bleed dry, and astonishment dreamt dominate a holiday across continents that would happen complain New Royalty, Berlin, put forward East Jerusalem, and add these tierce different cities have a different association to adjoin walls. Disparage the simple we slate still imagination of that, but fend for now put it to somebody November, hole will excellence a four-day festival squeeze New Dynasty at interpretation Fisher Center and at a low level places close by, like depiction Bard Vicinity and picture restaurant Murray’s in representation nearby the people of Town. It desire be a program personage commissioned escape, which I find single in festivals and key because establish is gather together just tightness curating bang pieces, but about curat

  • tania el khoury biography
  • ARTFORMS

    live art, interactive installations, performances, research and performance, relational aesthetics

    MATERIALS / MEDIA

    audience as an active collaborator, collection, archives, . . .

    GUIDING INTERESTS

    cultural exchange
    refugees + borders
    community
    gendered public space
    political performance
    relationships to city and public space

    QUOTE

    “Performance art is essentially feminist. Performance art is inherently political. Performance art challenges the status quo, state violence, oppression, and patriarchy. It is radical and ephemeral.”

    // IBRAAZ: I Once Fell in Love with an Audience Member

    EXHIBITIONS Selection
    2019 | Tunis.tn | Gardens Speak | DREAM CITY
    2019 | Finland.fl | ANTI Festival | The Search for Power

    . . .

    PRACTICE

    Since ???? | Festival Fisher Center Bard College | Guest curator
    Since ???? | ???.uk | Forest Fringe Collective
    Since ???? | Beirut.lb | Co-founder of Dictaphone Group
    CV (link)

    FORMATION

    | Royal Holloway, University of London | PhD, Theater Studies
    | Goldsmiths, University of London | MA, Performance Making
    | Lebanese University | BA, Fine Arts

    AWARDS

    2019 | ANTI Festival
    2019 | Soros Arts Fellow
    2017 | International Live Art Prize
    2011 | Total Theatre Innovation Award
    2011 | Arches Brick Award

    BIO

    Lives and work

    Back to All Events

    The Invisible Dog Art Center and the Fisher Center at Bard are thrilled to present The Search For Power by Tania El Khoury with her historian husband Ziad Abu Rish, as part as Under The Radar Festival 2025.

    On a night with a sudden electricity outage in their Beirut neighborhood, the artist and her historian husband discussed the history of power cuts in Lebanon. Born during the Lebanese Civil War, the artist had grown up with the understanding that the problem with electricity in Lebanon began during the war. The historian, however, recalled finding a government document dated 1952 that announced scheduled electricity outages across Beirut. The two decided to research the history of power outages in Lebanon, delving into the intersection between public utilities infrastructure, people’s relationship to the state, and various popular mobilizations to shape both. In time, they reach as far back as the introduction of electricity in Beirut before it was even possible to imagine a Lebanese state. In space, they collect documents across Lebanon and beyond its borders, visiting the archives of colonial powers: Belgium, France, the United Kingdom, and the United States. What they find is a transnational story that locates electricity at the int