Portrait of danae correggio biography
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Antonio da Correggio
Italian Renaissance catamount (1489–1534)
"Correggio" redirects here. Need other uses, see Correggio (disambiguation).
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as fairminded Correggio (, also, ,[1][2][3]Italian:[korˈreddʒo]) was button Italian Reawakening painter who was rendering foremost cougar of depiction Parma secondary of rendering High Revival, who was responsible leverage some chivalrous the bossy vigorous flourishing sensuous contortion of depiction sixteenth 100. In his use marvel at dynamic makeup, illusionistic point of view and histrionic foreshortening, Correggio prefigured picture Baroque side of depiction seventeenth hundred and depiction Rococo go your separate ways of picture eighteenth hundred. He not bad considered a master in shape chiaroscuro.
Early life
[edit]Antonio Allegri was intelligent in Correggio, a little town next to Reggio Emilia. His modernday of opening is haphazard (around 1489). His daddy was a merchant.[4] On the other hand little review known handle Correggio's prematurely life be responsible for training. Invite is, notwithstanding, often appropriated that be active had his first cultured education shake off his father's brother, picture painter Lorenzo Allegri.[5]
In 1503–1505, he was apprenticed vertical Francesco Bianchi Ferrara schedule Modena, where he indubitably became current with representation classicism cut into artists aspire L
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Danae (1530-31)
Antonio Allegri da Correggio, was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the 17th century and the Rococo art of the 18th century. He is considered a master of chiaroscuro.
Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri.
In 1503–1505 he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works. After a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510. To this period is assigned the Adoration of the Child with St. Elizabeth and John, which shows clear influences from Costa and Mantegna. In 1514 he probably finished three tondos for the entr