Fondamentalista riluttante mira nair biography
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The Reluctant Fundamentalist (film)
film directed by Mira Nair
The Reluctant Fundamentalist is a American political thrillerdrama film directed by Mira Nair and starring Riz Ahmed, Kate Hudson, and Liev Schreiber. It is based on the novel of the same name by Mohsin Hamid.[7] The film is a post-9/11 story about the impact of the terrorist attacks on one Pakistani man and his treatment by Americans in reaction to them.[8]
In , Nair read the manuscript of Hamid's unpublished novel. After reading it, she decided to make a film. Her production house, Mirabai Films, and Nair's long-time partner, producer Lydia Dean Pilcher's production company, Cine Mosaic, optioned the film rights to the novel.
The film premiered as the opening film for the 69th Venice International Film Festival,[9][10] and at the 37th Toronto International Film Festival. The film had a limited release in the United States on 26 April , by IFC Films. In Pakistan, the film was released in Urdu with a changed title as Changez on 24 May [11] The film also screened at the 31st Munich International Film festival.[12] The film won the "Centenary Award" at the 43rd International Film Festival of India.[13] Upon its release, the film recei
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The Reluctant Fundamentalist
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The Reluctant Fundamentalist
novel by Mohsin Hamid
For the film, see The Reluctant Fundamentalist (film).
The Reluctant Fundamentalist is a "metafictional"[1] novel by Pakistani author Mohsin Hamid, published in
The novel uses the technique of a frame story, which takes place during the course of a single evening in an outdoor Lahore cafe, where a bearded Pakistani man called Changez tells a nervous American stranger about his love affair with an American woman, and his eventual abandonment of America. A short story adapted from the novel, called "Focus on the Fundamentals," appeared in the fall issue of The Paris Review. A film adaptation of the novel by director Mira Nair premiered at the Venice Film Festival.[2]
Plot
[edit]The story begins in the streets of Lahore. A Pakistani man, Changez, offers to direct an American visitor where he can find a good cup of tea. As they wait for their tea, Changez begins to weave a long story about his life, especially his time living in the United States – in between making remarks about the history, landmarks and society of Lahore, his native city which he loves and of which he is proud. The unnamed American is restless but remains to listen.
Changez tells the American he was an excellent student