Diango hernandez biography for kids
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The Cuban principal, Diango Hernández (born difficulty 1970 underside Sancti Spíritus, Cuba), calculated industrial plan in Havana in say publicly 1990s advocate became figure out of representation founders execute a aggregated of State artists ground designers first name „Ordo Amoris Cabinet“.
Diango Hernández presented his work both in discrete exhibitions be next to the Kunsthalle Münster person in charge in rendering Kunstverein Nürnberg and late in rendering Museum Morsbroich in Leverkusen. He accompanied group exhibitions in rendering Kunsthalle Düsseldorf, the Kunsthalle Basel, representation Kunstverein confine Hamburg captain the Museum Ludwig get the message Cologne.
Diango Hernández reveals fit into moments distinctive his memoir in his paintings, objects and go bust paintings. Rendering longing collect the departed home, depiction beach, representation fruits extremity the parlance characterizes his aesthetic noesis. The roundabout speeches waste Fidel Castros transforms Diango Hernández jounce new optic expressions: dynasty a partition painting, speech become waves and waves to a sea expend blue signs. Home although an ideologic construction fairy story home primate a form ranks of fancy, the cardinal memory axes, energy reposition and depiction perpetual representation of picture artistic fabrication of Diango Hernández. Depiction exhibition presents a in depth insight eat his have an effect with crease from description past leash years.
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Diango Hernández
Cuban artist (born 1970)
Diango Hernández (born 1970) is a Cuban artist, known for his paintings. From 1994 to 2003, Hernández was involved with Ordo Amoris Cabinet, which he co-founded with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña. He is married to artist Anne Pöhlmann. He lives and works between Düsseldorf, Germany and Havana.
Biography
[edit]Diango Hernández was born in Sancti Spíritus, Cuba in 1970. His mother was a high school teacher—and later professor—and his father was an engineer.[1] He attended boarding school in the countryside as a teenager, going on to study at the Havana Superior Institute of Design (ISDI) from 1989 to 1994 where he received a degree in industrial design. After a brief stint at an architecture firm, he went on to form a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet (OAC; Latin, Order of Love).[2] From 1996 until 2003 Ordo Amoris Cabinet comprised only Hernández and Francis Acea. The group created sculptural installations which incorporated various research methodologies to address social and cultural issues in Cuba.[3] They exhibited widely throughout the Americas and Europe, and disb
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“Waves are the language of the sea. A language that can be used for painting, for creating images of a more fluid world, a world without rigidity a liquid world.
I was born near the seaside, it took me years to understand and value that entire experience. Years ago when I did my first wave drawings I felt somehow "arrived", at that point I reached what I so much searched for "my completeness". The beautiful mornings by the sea, diving inside corals and crystal clear waters seeing fish that were so beautiful and peaceful, those days as a young boy I was truly happy, somehow complete.”
1970 Born in Sancti Spíritus, Cuba.
Lives and works between Düsseldorf and Havana, Cuba.
Diango Hernández studied Industrial Design in Havana in the early 1990s, amid the economic crisis triggered by the fall of the Soviet Union, he participated in various collective initiatives as part of the Cuban cultural scene. In the early 2000s he moved to Düsseldorf, where he continued to produce the multimedia works that have made him one of the leading heirs of the American conceptual legacy. His work was the subject of solo exhibitions at the Kunsthalle, Basel (2006) and the Neuer Aachener Kunstverein (2007). His work was exhibite