Dataphonics ryoji ikeda biography
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Dataphonics (book / CD)
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This picture perfect is drawn available increase twofold French print run (same content, with sole the rubbish jacket careful French).
Japan's important electronic composer and appear artist Ryoji Ikeda (born 1966 be bounded by Gifu, Nippon, lives endure works plenty Paris) focuses on say publicly minutiae exert a pull on ultrasonics, frequencies and interpretation essential characteristics of bay itself. His work exploits sound's corporeal property, closefitting causality tweak human find and r
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Ryoji Ikeda: Dataphonics
Ryoji Ikeda: Dataphonics
Published by Dis Voir.
A star of minimalist electronica and sound art, Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearingsound that, as he puts it, the listener becomes aware of only upon its disappearance. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, to materialize the invisible domain of totally pure digital data.' This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
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Ryoji Ikeda
Japanese visual and musical artist
Musical artist
Ryoji Ikeda (池田 亮司 Ikeda Ryōji, born 1966)[1] is a Japanese visual and sound artist who currently lives and works in Paris, France. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music and lowercase; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.
Early life and education
[edit]Ryoji Ikeda was born in Gifu, Gifu Prefecture, Japan in 1966.[1]
Career
[edit]In addition to working as a solo artist, he has also collaborated with, among others, Carsten Nicolai (under the name "Cyclo.") and the art collective Dumb Type. His work matrix won the Golden Nica Award in 2001.[2]
In 2004, the dormant Saarinen-designed TWA Flight Center (now JetBlue Terminal 5) at JFK Airport briefly hosted an art exhibition called Terminal 5[3] curated by Rachel K. Ward[4